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Tuesday, December 15, 2015

Q & A with Author David Litwack



Hi David. Thanks for joining me for this interview! Please tell me a little about your book.

The seed of an idea is a curious thing. I went for a walk along one of my favorite places on Cape Cod. On one side was Vineyard Sound, with Martha’s Vineyard rising from the fog, and on the other a series of inlets of increasing size. The first is called Little Pond and the next Great Pond. For some reason, I imagined young people growing up in Little Pond and envying those of Great Pond, wanting to find more from life than they had in their small village. From there, the story expanded. What if their limitation was not their small village, but a repressive authority that limited their potential to think and grow?

At the same time as I was developing this plot, the real world was changing. Increasingly, I saw on the news stories of oppression and rigid limits placed on freedom of thought: modifying school curriculum to restrict the sciences; rewriting history; destroying evidence from the past; restrictions on dress and diet; banning music and the arts; and severe punishments like stoning for daring to think differently. Over time (several years), all these thoughts evolved in the Seekers dystopian trilogy.

Did you always know you wanted to be a writer?

The urge to write first struck me at age sixteen when working on a newsletter at a youth encampment in the woods of northern Maine. It may have been the wild night when lightning flashed at sunset followed by the northern lights rippling after dark. Or maybe it was the newsletter's editor, a girl with eyes the color of the ocean. The next day, I had a column published under my byline, and I was hooked.

Are events in your book based on someone you know or events in your own life?

Of course, everything I write has some basis in my own life. But fiction is less about recording reality than stitching together bits and pieces of things you’ve experienced and combining them with your craft to make a story—one that will hopefully let the reader add their own life experiences to it and be moved in some way. I’m not one to think a writer must only write about what they know (how else do you get alternate worlds?). But you have to write about things you’ve felt.

Out of all the characters in your book, who is your favorite to write? 

I used to say that my favorite was Kailani from The Daughter of the Sea and the Sky. She’s so mysterious, but at the same time wise, naïve and vulnerable. Now that I’m nearly done with the Seekers series, I think I’d say Orah. She smart and passionate in her beliefs, and a natural leader, yet she always doubts herself and questions her decisions—a trait that would be a good thing in some of our real world leaders.

Is your book part of a series?

The Children of Darkness is Book one of the Seekers dystopian trilogy. The second book, The Stuff of Stars, has just published.

What are you working on now?

I’m working on the finale of the Seekers series, to be titled The Light of Reason. If all goes as planned, it will come out in November 2016.

Do you plot your books completely beforehand or do you let your imagination flow in the writing process?

I usually conceive of a new book as a series of images and scenes, daydreaming about them while I finish work on the prior novel. I maintain a notes file for the new novel and do a rough draft of these scenes—a  very rough draft, what some people call "scaffolding" or “riff writing” like improvisation in jazz. The file can get pretty chaotic. Every now and then I make a feeble attempt to organize it (when I’m finishing up a novel, I try to avoid distractions and stay focused on getting it out to the publisher). By the time I’m ready to start the new novel, I usually have about 20,000 words of loosely connected prose—20-25% of the eventual novel but probably 80% of its essence. I take a couple of months to read, edit and organize that file into a dense plot outline. Then I start a new file from scratch, cutting and pasting prose as appropriate. It’s a messy process in the early going, but unlike those who start with a more organized outline, I need that amount of writing to get to know the characters and live in the story

Thanks for being a part of this discussion and good luck finishing your trilogy!

o Amber Gregg o