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It's A Writer Thing -- On Productivity and Finishing What You Started

This is a guest post by Jessica Bayliss.

Happy September, Wonderful Writers! 

Before I get started, a HUGE thanks to Amber Gregg for hosting my series on her lovely site.

It’s been a whirlwind this summer, what with my first time as a Pitch Wars mentor and all the work I’ve been doing on my own books. I finished my second manuscript for the year in August, which was my 11th book in total. Holy moly! But, finishing my latest MS got me thinking about productivity.

I acknowledge that I’m a fast writer, but I owe my productivity to something more important: I practice finishing books.

There are a lot of skills to learn to become a professional writer. First off: writing. Like, the actual craft. Then there are query letters and synopses and log lines. What genre is what (and that YA is NOT a genre—grr.). Another thing we have to learn is how to finish books. We need to build stamina, the stick-to-it-ness, essential to a professional writer operating out there in the big old world.

We’re notoriously good at starting books. Shiny new ideas are the best things ever! So hard to resist, flirting with us from across the coffee house. Keeping us up at night. So how can we be blamed for jumping ship on the current work in progress? I get it. I love all my new ideas, and boy do I have a to-be-written-list burning a hole in my brain. But let’s not forget what comes after the tough middles: the alluring endings! They deserve to be written. We owe it to them not to lose steam halfway through.

But if we let new ideas seduce us, we’ll never learn our process for finishing. I will repeat that and turn it into a statement: All writers need to learn THEIR OWN process for finishing books. Here’s why.


What do marathon runners do to train? First off, they learn to run. Just the basics: body posture, how to breathe, what to do with their arms. Then they develop stamina, tacking on more miles as they go. They learn to predict their bodies’ rhythms: when the race will get hard, and how hard hard will feel. How do they get through that? They practice different strategies for budgeting their energy, training their breathing, when to take in liquids (and how much). They even eat those little squeezy pouches of sugary electrolytes (which, I sort of want to try). Then they do it again and again. And again.

Pushing through the long slog is just as important as training-up their muscles—more important, perhaps. And it must be practiced. The preparation is part physical but it’s also hugely mental. As a result of this mental Cross Fit, something very important happens: They learn what to expect. 

Why is that important? When they get back out there next time, and when it gets tough, they have figured out what to look out for in their bodies, how to harness their bodies’ power, and how to focus their brains. 

They have a Not-Quitting Process. A Finishing Process. They can say to themselves: This is just like last time, and last time I got it done. I can do that again. 

Writers need that too. 

We need to practice starting, middling (Is middling a verb? Well it is now!), and finishing. And we need to do it with more than one book. Inevitably, the current WIP will start to feel boring. The shine will be off. Maybe we’ll write ourself into a corner or a whole maze of corners. And, lo and behold, there’s Shiny New Idea winking at us all sultry and pretty. But, like a marathon runner who can predict his rhythms during a race, we need to predict ours when it comes to the marathon of writing a book. 

And, just like the marathon process, it’s hugely mental. We get so down on ourselves when we get stuck. We beat ourselves up, tell ourselves that we’re not cut out for this. Those thoughts lead to terrible emotions, emotions that lead to the worst thing ever: giving up. And we can’t give up!

Hopefully this sounds super-logical. I mean, if your friend told you they were running a marathon today and they’d never trained a day in their life, you’d be like whaaa…? And if they couldn’t do it, you’d be like: “Uh, buddy, you’ve never done this before. Go easy on yourself.” So, why beat yourself up for not finishing a manuscript when that’s a skill that takes learning, too? Don’t beat yourself up; practice.

The learning process, the stamina-building is normal, natural, and necessary. 

Therefore, my biggest motto is: Finish what you start. Everything you start. Then, one day when you’re all successful professional authors and you have deadlines or an editor waiting for an option book, your game will be in place. You’ll be able to say, Yes, I can get that to you INSERT DATE HERE. I’ve got a process. I’ve done this before. Deep breath. Here goes.

And, as always, remember: You can do it! You can write!

Jessica Bayliss is an author of commercial fiction who loves nothing better than getting lost in a good story, whether in print or on film. When not busy with her latest fiction project, she can be found loving her friends and family—especially her husband, Eric—playing with one pesky Havanese, or trying to appease an ornery cockatiel, typically with a cup of coffee near at hand. 

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